“Isbell has become a deacon at the Mother Church of Country Music.” – Nashville Scene
NASHVILLE, Tenn. – GRAMMY award-winning Jason Isbell and The 400 Unit wrapped an eight-night residency at Nashville’s historic Ryman Auditorium last night, Oct. 23. The run of shows from Oct. 14-16, Oct. 18-19 and Oct. 21-23 marked the group’s seventh residency at the Ryman, which has become an October tradition. Each night featured a variety of openers and special guests including Ruby Amanfu, Cimafunk, Grace Group Gospel Choir, Hermanos Gutiérrez, Leyla McCalla, Peter One, Amanda Shires and Vagabon.
About Ryman Auditorium
A National Historic Landmark, Ryman Auditorium was built by Captain Thomas G. Ryman in 1892 as the Union Gospel Tabernacle. A 13-time winner of the prestigious Pollstar Theatre of the Year award, the historic venue is well-known as the Mother Church of Country Music and is the most famous former home of the Grand Ole Opry (1943-1974). The Ryman’s thriving concert schedule hosts more than 200 shows per year, and the venue is open for daytime tours year-round. The Ryman has also been featured in numerous film and television projects including Coal Miner’s Daughter, The Johnny Cash Show, American Idol, Nashville and more. Ryman Auditorium is owned by Ryman Hospitality Properties, Inc. (NYSE: RHP), a Nashville-based REIT that also owns and operates the Grand Ole Opry, WSM Radio and Ole Red. For more information, visit ryman.com.
About Jason Isbell and The 400 Unit
What happens after an artist has achieved his dreams? That was the major question Jason Isbell was asking himself leading up to the creation of his newest album, Reunions, recorded with the 400 Unit and produced by celebrated producer Dave Cobb. After all, four-time Grammy winner Isbell is at the top of his game. He is widely acclaimed as one of our best songwriters and possesses a devoted audience who have pushed his last two albums to the tops of the charts. “Success is a very nice problem to have but I think ‘how do I get through it and not lose what made me good in the first place?’” he says. “A lot of these songs and the overall concept of this album is how do I progress as an artist and a human being and still keep that same hunger that I had when I wasn’t quite so far along in either respect.” Isbell’s solution: to go back in time with his hard-gained knowledge. The result is a seamless collection of ten new songs that delve into relationships with lovers, friends, children, parents, and one’s self. There are rousing anthems that will have stadiums singing along, lyrical standouts that highlight some of Isbell’s best writing to date, moving looks at youth and childhood, a deep dive into the challenges of relationships, and deeply personal songs about alcoholism and parenthood. All of them offer us an artist at the height of his powers and a band fully charged with creativity and confidence.
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